After a weekend spent in Paris, I go Varzy this morning.
Students begin their day at 13.30, but some warned me they would arrive around 10am.
By pushing the door of the workshop at 10:30, I see two of them are already at work, and finalized the weld plates made Friday.
I notice that some feel the facilities for sculpture ... :
's visit Wednesday to Art Centre Park St Leger was welcome, so that all students see an exhibition of contemporary art in a place specially dedicated. However, exposure is not a typical example of what is done today, and I decided to quickly show the class, to begin this afternoon, images of the exhibition Terrain vague, of Peter Malphettes , which took place A few weeks ago at the gallery Kamel Mennour . Indeed, after the works to the appearance "DIY" (I would find another word ... but can not ...) of Oscar Tuazon and Eli Hansen , it seems important to see works to achieve finite, which deals with fundamental questions of sculpture as Untitled (truss) , Three stones , The meteorite , Untitled (the beam). These works highlighting the material they are made, I imagine that students will be sensitive. And they are also parts of my closest artistic concerns.
The afternoon continues with start cutting the tubes that will serve our rivet body for the last three stages of its installation on the monolith ("snap" of the rivet, hammering, and "ghost").
As the seriousness that the electric saw in his work progresses, it may take a while ...
... during which another team involved to "present" the plates that form the back of this monolith, to cut the top one in its proper dimension,
then weld the two sheets together to form one plan.
A final team ground track of a square 3 x 3 m,
for Armel Mazière then draws the template of our fake roll scale 1.
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